Daniel Stanford is a Learning Design Consultant and former Director of Faculty Development and Technology Innovation at DePaul University's Center for Teaching and Learning. His work in online learning has received awards from the the POD Network, the Online Learning Consortium, NAFSA, the Instructional Technology Council, the University of Wisconsin, and Blackboard Inc. Follow @dstanford on Twitter | Connect on LinkedIn |
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One of the nicest features of Many Eyes is that it can be used for more than just traditional data sets. Users can upload text files to create visual representations of the most commonly used terms in the text. The word clouds that Many Eyes creates can provide stylish visuals to enhance presentations or be used to illustrate key themes in a text. For example, students might compare the most commonly used terms in Barack Obama’s speech at the 2008 Democratic National Convention with his pre-election speech in Berlin or with the key terms emphasized in John McCain’s nomination acceptance speeach at the Republican National Convention.
Overstream allows users to subtitle videos from YouTube, DailyMotion, and many other video-sharing Web sites. This is a great resource for language instructors, since it can provide a more engaging way for students to transcribe or translate audio from a foreign-language advertisement, movie, TV show, or song.
EduFire initially caught my eye because of its large library of foreign-language flash cards. However, I was quickly fascinated by its main business as a marketplace for online learning. The site allows instructors to offer courses on any topic they like and set their own rates, all for a small fee that comes out of the tuition they collect. This business model has exciting (and frightening) implications for the future of higher education, especially in fields like language instruction where accreditation is often less important than effectiveness. I hope to have time to enroll in a class or two and post a follow-up on what I’ve learned about the service.
A professor I work with recently decided to use Ning to create an online social network for a course. Like Facebook, Ning provides a space where users can communicate and share links, images, and videos. However, Ning allows instructors to create a space that is used exclusively for course-related collaboration and is only accessible by their students. This increased level of privacy and focused purpose helps everyone involved maintain boundaries between their academic and personal lives.
Shortly after the course began, the professor noticed many of her students were having trouble with basic tasks such as uploading images, embedding YouTube video clips, and writing blog posts. The professor told me, “I have a blog and I’m almost fifty. I was shocked that my students have no experience with blogging.” I wish I could say I was as shocked as she was. Unfortunately, I know this problem all too well and I’ve been writing about it periodically for the past year. Back in February of 2008, I wrote a post about the importance of defining computer literacy. My major complaint at that time was the lack of agreement on a minimum technology literacy level for college students. The lack of computer-literacy requirements and classes to support students who don’t meet such requirements places an unfair burden on faculty. Professors who wish to use new technology in their courses wind up serving as tech support for students who lack a fundamental understanding of interactive media.
Back in November, I also wrote about the misleading stereotype of the tech-savvy millennial learner that I hear about so often at conferences. As much as people love to refer to today’s twenty-something college students as “digital natives,” many of these students are more like “digital resident aliens.” They’ve learned just enough to get by, but ask them something that’s not in their phrasebook and you’ll quickly see how superficial their knowledge really is.
Sadly, the lack of a well-rounded technology education isn’t just failing students in the arts and humanities. Students pursuing technology-focused degrees are also suffering. An article in The Chronicle of Higher Education recently noted that many Web-design instructors are not preparing students for the demands of employers in the field. In “Colleges Get Poor Grades on Teaching Web Fundamentals,” the author cites a survey developed by Leslie Jensen-Inman, an assistant professor of art at the University of Tennessee at Chattanooga. Jensen-Inman interviewed thirty-two professional Web designers and discovered that universities are either encouraging students to overspecialize in a particular piece of software or programming language or teaching outdated tools and techniques that are no longer relevant in the working world.
As a part-time Web-design professor, I found this article vindicating, because it supports my belief that students need a broad range of up-to-date knowledge to become successful designers themselves. In addition, I think the basic skills and knowledge that aspiring Web designers need are becoming increasingly essential for all college students. Knowing how to manage digital files, maintain a blog, participate in an online discussion, embed media in a Web page—these are all skills that will prove valuable no matter what a student’s career aspirations might be. Now we simply need to recognize that this knowledge won’t reach critical mass by osmosis. Hundreds of hours of Wii Tennis or text messaging or Twittering might do a lot to reduce technophobia in a new generation of students, but it doesn’t necessarily increase their understanding of how interactive media works and enable them to transfer knowledge from one tool to another.
Many instructional designers might disapprove of the idea that we should relegate new-media education to a single “Technology 101” course. Instead, they often support an integrative approach in which technology is used across the curriculum as a means to an end for a variety of disciplines. I agree that it’s wonderful to see faculty using technology to improve learning in a variety of subject areas, from philosophy to chemistry to mathematics to the fine arts. However, I think attacking the problem from both sides could help ensure the push for technology integration doesn’t always come from the top down.
A Technology 101 course could help ensure today’s students can live up to the tech-savvy stereotype we’ve already forced upon them. With a little support from the bottom, we might finally see more students pushing faculty to use new tools and helping instructors improve their technology literacy. Until then, I’m afraid we might be stuck in an inefficient, reactive model that attempts to support students once assignment deadlines are looming and panic has set in. This approach is a bit like asking students to drive cross-country after giving them the keys to an eighteen wheeler and an 800 number to call if they have questions as they’re barreling down the highway. Will some of them make it? Sure. But a little driver’s ed up front could prevent a lot of disasters down the road.
I just attended the 2008 Lilly Conference on College Teaching where the theme was “Millenial Learning: Teaching in the 21st Century.” I enjoyed some of the keynote presentations, especially Erica McWilliam’s presentation, “Is Creativity Teachable? Conceptualizing the Creativity/Pedagogy Relationship in Higher Education.” In the presentation, McWilliam noted that creativity is not only vital in the arts, but is also in scientific disciplines where creative thinking leads to key breakthroughs.
While McWilliam believes creativity can be taught, she claimed that it cannot be done simply by giving students free reign of their learning experience. She addressed a critical flaw in the rejection of the traditional sage-on-the-stage model of instruction in favor of the guide-on-the-side approach. According to McWilliam, this trend encourages instructors to become too passive and compromises the level of rigor we traditionally associate with more structured courses and teaching methods. Instead, McWilliam proposed an approach she calls “meddler in the middle.” This approach encourages experiential learning and assignments that foster independent, critical thinking. However, it requires faculty to be actively involved along the way, setting high standards for success and rejecting the notion that all answers are valid.
While I enjoyed some of the keynote presentations at the Lilly Conference, I have to admit that there was also a thorough beating of the dead horse that is the “millenial student.” Several of the presenters rattled off the same sweeping generalizations about the millennial generation that I’ve heard so often at past conferences, including classics like, “They’re multitasking visual learners,” “They prefer to learn by doing,” and everyone’s favorite, “They’re incredibly tech savvy.”
Even if some of these statements are exaggerations, they’re not particularly harmful because most of them are based on facts or at least a relatively scientific survey. However, I find it hard to hide my annoyance when someone tells yet another anecdote about the now-famous (yet nameless) young college student who text messages her friends while listening to her latest class lectures on her iPod and updating her Facebook page—all while driving to her apartment in the sky in a flying hovercar.
It seems no educational-technology conference presentation is complete these days without the obligatory stock photo of a hip, young student with a laptop tucked under his arm, iPod headphones in his hears, a video game controller in one hand, a cell phone in the other. This photo is usually a warning that the presenter is about to describe a bleeding-edge case study that will make use of Second Life, Twitter, Facebook, or some other tool that is revolutionizing education as we know it.
The problem with this recurring emphasis on millenials and their insatiable appetite for bleeding-edge technology is that it makes faculty feel they’re always behind the times. Most of the instructors I know are excited if they can figure out how to embed a YouTube video in Blackboard or insert an audio file in a PowerPoint presentation. Now imagine how those instructors must feel when they go to a conference to discover that PowerPoint and YouTube are “so five years ago.”
I’ll be the first to admit that I’m a part of the problem. I just gave a presentation titled “Beyond PowerPoint and YouTube: Making the Most of Multimedia for Language Instruction” at the fall conference for the Illinois Council on the Teaching of Foreign Languages. The session was packed and the attendees were very eager to learn. However, it was clear to me based on their questions and feedback that they would have been just as happy with a session titled, “PowerPoint Tips and Tricks: Making the Most of the Everyday Tool You’ve Never Had Time to Master.”
I’m certainly no PowerPoint evangelist. I like building educational mini-games in Flash, trying out new blogging and wiki tools, and encouraging faculty to use services and sites that often include the world “beta” in their logos. However, I think it’s important to admit that the simplest solution for presenting instructional material is often the best. For many professors, that solution is PowerPoint.
Occasionally, instructors might want a feature that PowerPoint can’t offer. They might want students to be able to view presentations in their web browsers and comment on them. They might want students to be able to create their own presentations with audio-narration and easily share them with others. When those needs arise, it’s important to offer them the simplest, most reliable solution that gets them from point A to point B. If a French professor wants students to create narrated cultural tours of Paris, we should introduce that professor to VoiceThread. We shouldn’t encourage her to establish an island in Second Life, hire three graduate students to build a replica of central Paris, and force her students to create avatars and chat in French inside a bad recreation of the Hall of Mirrors at Versailles.
If you’d like to know more about alternatives to PowerPoint and the features they provide, you can view the multimedia presentation tools comparison I put together in October of 2008. All of the sites listed feature tools I’ve actually tried myself, and I’ve included the pros and cons I discovered after creating and uploading test presentations of my own. Some of the tools I’ve highlighted (e.g., Google Docs) might not win me any awards for being on the bleeding edge of instructional technology. However, as someone who knows a lot of professors, I know from experience that it’s important not to overestimate the tech needs and wants of faculty. And as a student who is technically a millennial by some definitions, I think it’s important not to overestimate the tech needs and wants of millenials. After all, I’m living proof that some millenials are happy with a traditional, well-delivered lecture with minimal fuss. And for the record, I’ve never text messaged a friend while updating my Facebook page.
Now, if you’ll excuse me, I have to take my hovercar in for servicing. My info console has been acting up and it won’t play my video mail or let me make online bill payments while driving at hyperspeed.
My mother is a serial entrepreneur and has worked in retail for many years. She often says that the toughest thing about her line of work is the demand to always be “on”—to be perky, pleasant, enthusiastic, and accommodating at all times. Now that the new quarter is under way and I find myself teaching again, I’ve been thinking a lot about the similar pressure for instructors to be “on” when interacting with students.
The last time I taught, multiple students noted in their evaluations that I seemed annoyed and impatient when answering their questions. It came as a bit of a shock, particularly since my previous round of evaluations had turned out so well. After a healthy dose of denial, anger, bargaining, and depression, I traced my steps and recalled a few instances in class when I was visibly frustrated with students who weren’t keeping up with a tutorial. I also knew I’d been particularly bad about reminding students if I’d already answered the same question multiple times, and I had probably mentioned more than once that certain mistakes on the assignments could have been avoided by reading the assignment instructions more carefully.
I usually find that I’m in a great mood for the first few weeks of the quarter. I answer repetitive questions with glee. Students who don’t follow directions don’t keep me up at night. Nothing can dampen the feeling that I’m living my dream of being a professor and that I’m single-handedly changing the world. But the honeymoon doesn’t last forever. Like a Starbucks barista at the end of an eight-hour shift or a J. Crew salesperson who has just been asked to fold the same twenty pairs of pants he just folded two hours ago, the normal wear and tear of the job begins to drain my reservoir of patience. Eventually, it gets harder to answer the same question five times with a smile. It gets more painful to grade assignments in which students disregard the rubric I so meticulously and lovingly constructed. By the end of the quarter, it can be difficult not to take things personally that have little or nothing to do with my abilities as a teacher.
When I reflected more on what went wrong during my last term in the classroom, I realized I wasn’t just in a bad mood. I had also brushed off a critical task that I had performed the quarter before: asking my students for feedback before the middle of the term. The first time I tried it, I worried that surveying my students would draw attention to my lack of experience. I didn’t want to seem needy, but I was even more afraid of waiting until the end of the quarter to find out what my students really thought of me. So, I gave them an incredibly simple survey with only two questions:
How challenging is the course so far? (This was a multiple-choice question.)
Do you have any suggestions on how I can improve the course? (This was an open-ended question with a comment box.)
This survey was helpful in two ways. First, I learned that I was flying through my software demonstrations and needed to slow down. Second, I showed my students that I genuinely cared about them and wanted to make the course the best it could be. While I can’t say that my little survey made all the difference in my evaluation results that quarter, I feel certain that it played a significant role. When I taught again, I was a bit overconfident, having passed the last quarter with flying colors. I meant to ask my students for feedback but never got around to it. I told myself the students wouldn’t complete it, that I should have done it the week before, or that I should wait until next week. It was always the wrong time to ask for feedback, and before I knew it, the opportunity had slipped through my fingers.
This quarter I’m determined not to make the same mistake. I’ve already asked my students a few simple questions and their responses have helped me correct a few small problems that would have magnified over time. I made sure to include a question about my attitude and patience level, and I plan to offer the survey again to help me snap out of any funk that might set in as the quarter progresses. Asking for feedback early on also goes a long way to foster goodwill. Because I teach in a creative discipline, I have to offer a lot of criticism to help students improve. I can tell them all day long that they shouldn’t take this criticism personally, but giving them the opportunity to critique my teaching helps me lead by example. It also gives the students a chance to blow off some steam before the final evaluations, and I’d much rather get the worst over with early and in a survey that no one has to see but me.
Surveys can be conducted through Blackboard, but it can be difficult to convince students that they are truly anonymous. DePaul employees have the option to use QuickData, our home-grown tool that allows faculty to create surveys by completing a few simple forms. Because these surveys can be taken from any computer and don’t require students to log in, faculty might find they get more frank and honest feedback. For instructors outside DePaul, Web-based survey tools like Survey Monkey and Survey Gizmo offer a similar promise of anonymity. Of course, giving students the freedom to say whatever they like about their instructors has its downsides. However, I find it’s better to embrace this early in the quarter when there’s still time to do something about it. Hopefully, the result is a better learning experience for everyone and fewer disgruntled students venting several weeks’ worth of frustration in a course evaluation that will be read by department heads.
My students aren’t really my customers and I don’t like to think that I’m obligated to put on a happy face at all times and serve them like a Ritz-Carlton concierge. However, I do think student feedback is essential if I’m going to become a better teacher. When this feedback comes only once at the end of the quarter, it’s easy to feel defensive and powerless. That’s why it’s so important to ask students for regular feedback. It might make me seem a bit needy, but that’s an adjective I can live with, and I know my mom would agree. But just to be sure, I think I’ll send her a survey.
I gave a presentation at the New Media Consortium conference back in June on a slew of web 2.0 video and slideshow tools I’ve been testing. The idea for the presentation began nearly a year ago when I was frustrated with the growing divide between the amount of foreign-language media available on the web and the number of teachers taking advantage of it. Initially, I thought the presentation would focus largely on JumpCut.com, a site that offers a fairly robust, web-based video editor. Users can upload video, audio, and images to their JumpCut accounts, then use the editor to create short movies.
One of the features that excited me about JumpCut was its ability to let users remix each other’s work. After watching any movie produced on JumpCut.com, users can click a remix button, which launches the video-editor interface and populates it with all of the video footage used in the movie. I thought this feature had great potential, and dreamed of assignments in which students would take a pool of raw footage, add their own material, do a little creative editing, and create spectacular mini-movies.
Unfortunately, I learned very quickly that there were several flaws in my plan. First, JumpCut doesn’t allow users to share audio, making it difficult to provide students with any sort of communal pool of voiceovers, sound effects, background music, etc. In addition, obtaining raw footage for students to manipulate was time consuming. I was able to download some great public domain video from the Internet Archive’s moving images database, but breaking these clips up into manageable chunks for use in JumpCut wasn’t easy. As an alternative, I experimented with capturing scenes from the game The Sims 2. The Sims proved an excellent visual resource for domestic drama and for reinforcing basic household vocabulary. As a result, I was able to work with Claudia Fernandez, a Spanish professor at DePaul, to create a sort of “video dictionary.” The goal of the project was to demonstrate everyday actions to help students master simple phrases in the past, present, and future tense.
As I started to push the limits of what could be captured in The Sims, I began exploring a variety of other tools that I thought might help faculty spice up their lectures and assignments with multimedia. I started my search in the hopes of finding a tool similar to JumpCut, but with the added ability to import video directly from YouTube and other video sharing sites. (Omnisio was the closest thing I could find, but it paled in comparison to JumpCut as a video-editing tool.)
My search quickly expanded beyond online video editing, and I found myself fiddling with subtitling tools like Overstream, slideshow presentation and annotation tools like VoiceThread, and multimedia-enhanced timeline generators like CircaVie. I quickly realized that I was going well beyond the original intent of my presentation, which was supposed to be a hands-on demonstration of JumpCut’s features. I decided to expand the focus of the presentation (even though it was too late to change the description in the conference agenda) and I offered attendees a comparison of nearly all the video and slideshow tools I had tried.
In the end, this approach seemed to go over very well with the audience. Several people thanked me for taking the time to do more than just recommend a long list of trendy tools I had never tried. I also got a lot of positive feedback on my example uses of the video editing and slideshow tools. Hopefully, by sharing them here, more people can benefit from what I’ve learned. Feel free to email me at dstanfo2@depaul.edu with any questions about the tools or my experience using them.
For many institutions, online course development follows a publishing model. Faculty members are recruited and compensated to “author” content that will be used by multiple instructors. This approach has several advantages:
Greater Accountability: Expectations can be clearly spelled out (and enforced) through a course-development contract.
Higher Quality: Course materials are often edited by an instructional designer and reviewed by other instructors.
Greater Efficiency: Ideally, faculty don’t have to reinvent the wheel every time they teach a new course. The initial effort of the course author and instructional designer to create a core set of course materials saves future instructors a great deal of time in the long run.
There are also disadvantages to the publishing model. Perhaps the most commonly cited problem is the cost to the institution. Faculty who develop online courses are usually compensated with course releases and/or one-time payments comparable to what the instructor would receive to teach a single course. In addition, having course materials thoroughly edited by an instructional designer and reviewed by a panel of subject-matter experts can easily add several thousand dollars to the development costs of each course. Add usability/accessibility optimization, visual design improvements, and multimedia enhancement to the process, and the total cost per course can easily exceed $10,000.
Ten-thousand dollars can be a particularly hard number to swallow when compared to the cost of developing face-to-face courses. After all, faculty have been developing traditional courses without additional compensation for a very long time (and in K-12, the added costs of enhancing a course often come out of the instructor’s pocket). Of course, there are many arguments as to why online course development merits a considerable initial investment, such as:
Faculty are paid to be subject-matter experts, not technology experts.
The quality of the materials will be better as a result.
Online learning brings in tuition dollars that the institution wouldn’t otherwise receive.
The cost per course decreases every time the same materials are reused.
The problem that none of these arguments addresses is that many instructors (at least in my experience) simply don’t want to be required to use hand-me-down course materials. For as long as teachers have existed, many of them have shared syllabi, lecture notes, exams, and assignment concepts with their colleagues. I think most instructors value this tradition, but only when the materials are provided with no obligation.
As an instructional designer and a part-time instructor, I feel torn between two worlds. On the one hand, I recognize the benefits of clear, specific course objectives. I also see the value in providing standardized supporting materials to ensure students can meet those objectives. Yet, I also know that one of the best aspects of teaching as a profession is that you get to be the captain of your own ship (however humble it may be). You have a great deal of autonomy and, ideally, you’re free to experiment with teaching and assessment methods that might be a bit unusual as long as students master the critical course concepts.
I appreciate it when my colleagues offer to share their course materials with me, and I love to hear about what they’ve learned from their own experiences. At the same time, we have very different opinions about how to teach a course on basic web design. Some require students to write all their HTML by hand in Notepad and some introduce FrontPage on day one. I offer my students a compromise: we spend the first few weeks hand-coding before we switch to Dreamweaver.
None of our approaches have been criticized, which is fine by me since I’d sooner give myself an appendectomy with a spork than get reacquainted with FrontPage. However, that’s not to say I’m a curriculum-development anarchist. I do wish at times that my fellow interactive-design professors and I could all agree on a few things, like not introducing advanced tools like Flash or languages like JavaScript in a course where many students struggle with basic file-management concepts. Of course, I’m afraid to push for standardization because I, like many teachers, enjoy doing things my way, and I don’t want to find myself forced to teach from a pile of second-hand course materials. In the end, I like to think there’s a happy medium that embraces the best parts of the publishing model of course development while giving faculty the freedom they crave. Until then, you’ll find me slaving away over a hot laptop, creating course materials from scratch and complaining about the workload all the while.
Compared to digital illiteracy, traditional illiteracy is relatively easy to spot. For the most part, people who can’t read and write don’t sneak into universities undetected and they don’t often hold down white-collar jobs. I know it’s tempting to argue with me here. This is the part where you want to derail my entire opening argument by telling me all about a student who graduated from University X and couldn’t even sign his own name. Or you might want to rain on my parade with the tale of the Fortune 500 CEO who had his son write all his memos. While I’m sure such things have happened on rare occasion, that doesn’t change the fact that it’s fairly easy to design an assessment that can determine if someone can read and write at a particular level of proficiency.
Unfortunately, it’s not nearly as easy to determine if someone is computer literate. The problem isn’t that we lack the means to test a person’s level of technology-savvy. The problem is that no one can agree on specific minimum, universal standards that define basic computer literacy. And even if we established such standards, no one seems eager to require faculty or students to take a computer literacy test before being approved to dive into the world on online learning. As a result, universities across the country encounter very similar problems as they try to develop online learning programs. Instructors are asked to develop online courses, but they don’t know how to create zipped files or edit a photo. Students are encouraged to take online courses, but they might not know where to find files on their hard drives that they’ve downloaded. Help desk staff wind up answering educational technology questions, but insufficient training and bureaucratic problem-logging systems prevent them from answering these questions quickly and effectively.
So, what is the instructional designer’s role in this whole debacle? Are they just co-dependant enablers who can’t say no? Are they guilty of encouraging computer-illiterate faculty to explore new, painful ways to torture computer-illiterate students without ever addressing the underlying literacy problem? Of course, many professors’ level of computer literacy improves as they work with instructional designers to develop online courses because an instructional designer’s job often includes technology training. Yet, this doesn’t resolve the concern I hear faculty express most often when I’m encouraging them to use a new tool in their courses:
“I don’t have time to learn how to use this new technology, let alone teach my students how to use it.”
Of course, all instructional designers have their own ways of mitigating this. They promise it won’t take long to learn how to use a new tool. They vow to be there for faculty throughout the quarter whenever questions arise. One of my old bosses had no authority to motivate faculty to complete their courses on time, so she spent a lot of time trying to catch flies with honey—and coffee and donuts paid for out of her own pocket. (I suspect this approach is quite common for instructional designers whose job security depends on producing a certain number of online courses a year.) Whatever technique is employed to get faculty on board, the instructor’s concern about time constraints and professional priorities remains valid.
I think most academic administrators would agree that it isn’t fair to expect teachers to be both experts in their fields of study and expert users of the latest educational technologies. However, they’d probably throw in a caveat that a certain level of basic computer literacy is essential in any job field today, including education. Yet, until everyone (at least at the institutional level) can agree on what that essential level of computer literacy is and what should be done to ensure it is met, it seems futile to try to define the role that students, faculty, technical support, and instructional designers must play in a successful online learning program. Before we introduce instructors to the wonders of podcasts or encourage them to set up instructional blogs or wikis or virtual classrooms, shouldn’t we make sure faculty and their students possess certain fundamental digital media knowledge? Shouldn’t we be sure they possess certain basic digital media skills, like how to perform a basic image edit in a tool like Photoshop and export the file in the ideal format for its intended use?
I think every institution could benefit from a required computer literacy course with a curriculum developed and approved by a well-rounded teams of experts. It’s tempting to believe that such a course isn’t necessary for most students today. 85% keyboard for coders were made to add ease to their work. So many students already know how to add photos to their Flickr accounts or embed a YouTube video in a MySpace page. However, as someone who has recently taught undergrads how to build basic webpages using HTML, I can tell you that learning to use a social networking tool does not a computer literate person make. These accomplishments belie a very superficial knowledge of how the Web—and digital media in general—truly works, and that lack of knowledge almost always shows up later when it’s too late to do anything about it.
I’m not sure how realistic it is to think that computer literacy training and/or standardized testing could ever be forced upon the faculty at most American colleges and universities. Addressing the student side of the problem is probably an easier place to begin, and its benefits would extend far beyond the development of online learning programs. If nothing else, we’d at least ensure that our students are truly prepared for that “digital, global, information-driven economy” I keep reading so much about. Plus, we’d avoid the embarrassment of graduating a generation of students who will one day shock their closest friends by revealing they never learned how to zip a file or edit a photo or compress an audio clip.
If you haven’t heard, Kindle is Amazon.com’s new digital device that allows you to read books on the go. The device features a glare-free screen based on electronic paper technology. According to Amazon, the screen can be read even in bright sunlight and is as easy on the eyes as reading text on paper. In addition, Kindle can download books by connecting to Sprint’s high-speed wireless network, but it doesn’t require a monthly service plan because the data download fees are built in to the price of each book. Amazon also claims users can read thousands of pages before needing to recharge the device, and that the battery will last for about two days with its wireless network access left on.
Although Kindle offers some innovative features, I wouldn’t call it revolutionary. Sony has been attempting to bring ebooks into the mainstream for years with devices like the Reader and the Connect ebook delivery service. Smaller companies like HanLin have also tried to make a name for themselves in this market, but for the most part, their sales have been limited to early adopters in tech-hungry Asian markets. Of course, being the first isn’t nearly as important as being the best, as any iPod/iTunes fan will tell you. Although I think Amazon is on the right track, I don’t think Kindle is going to revolutionize how we read or how digital educational content is delivered—at least not right now. Here are a just a few reasons why it’s not making my Christmas list this year and why I don’t believe Kindle will be a hit with students and teachers, either:
Kindle costs $499. That’s comparable to the cost of an iPhone, a bargain-priced laptop, a long weekend in Vegas, or 4,000 packages of Ramen noodles.
Book downloads are around $9.99 a piece. Sure, a new hardcover is a lot more than 10 bucks, but a library card is free. Furthermore, on the rare occasion that I buy a pricey book, I expect it to be more than a stimulating read. I expect it to add a touch of class to my living room. (I find people don’t laugh as much at my Kelly Clarkson album collection when it’s sandwiched between Tolstoy and Nietzsche.)
Kindle is a one-trick pony. Say what you will about “convergent” devices being hard to use. I’ll compromise on usability if it helps me avoid uncomfortable backpack bloating. At the very least, I expected that Kindle would be able to store and display personal documents from programs like Microsoft Word. However, to do this, the Kindle promo video claims you must email files to your Kindle device (I’m still not sure how that works) and pay Amazon to convert them to a Kindle-compatible format.
I took my first French class in 10th grade at a public school in a small Alabama town. The class was typical of most high-school foreign language courses. We spoke mostly in English and the assessments were designed to ensure that no one would fail the class. Vocabulary tests typically asked us to pair French terms in column A with their English equivalents in column B, like so:
____ Banane
A) Apple
____ Pomme
B) Orange
____ Orange
C) Banana
Grammar tests were only slightly more challenging and usually consisted of simple sentences with missing verbs to conjugate, as shown below:
Demain nous ___________ à la bibliotheque.
(go)
I often memorized the verb conjugations the night before (or in some cases, just minutes before the start of the test), then filled in blanks feverishly the minute the exam was in my hands. Speed was key, since my mental snapshot of the proper endings for each verb would begin to blur after five to ten minutes. Occasionally, we were subjected to some other form of memorization torture. This usually involved reciting poems or singing French Christmas carols.
That first year, I thought my French was formidable. (Or, as the French would say, “formidable.”) I could rattle off the French names of almost any object in the classroom. I could tell you exactly how to say I go, you go, and we go. (Saying where I, you, or we were going wasn’t always so easy.) The following year, I transferred to the Alabama School of Math and Science (ASMS), a rigorous magnet boarding school in Mobile. I had to take a French placement exam before enrolling at ASMS, and I knew I was in trouble when there wasn’t a single matching question on the test. My horrible score on the placement exam meant I had to start all over again with French I—along with nearly every other student who had taken a year (and in some cases, two years) of traditional high-school French.
On my first day of French class at ASMS, my teacher explained that our lessons would be built around French In Action, a series of videos designed to teach us French through total immersion. (“Videos” really isn’t the right word, since we viewed everything on gigantic laserdiscs.) As we watched the first few episodes, I was completely overwhelmed. I wondered what language I had been studying for the past year in my hometown, because it certainly wasn’t whatever those people on the screen were using to communicate with each other.
French In Action was part soap opera, part Sesame Street, and it wasn’t great at being either. The storylines were bland and the lesson recaps were repetitive. Yet, despite the actors’ dated haircuts, the overacting, the two-dimensional characters, and the ludicrous plot twists (or perhaps because of them), the whole class was hooked. We were so hungry for anything other than the usual verb conjugation tables and vocabulary memorization that we actually felt invested in the simple narratives. We cheered when Mireille’s bratty sister fell in a fountain in the park. We leaned forward with anticipation when it seemed Robert would finally ask Mireille on a date, and we laughed when our teacher tried to explain a new verb or noun through her own unique system of charades. She would flail her arms wildly, run around the room, improvise with props—anything to avoid a direct translation to English. The goal was to make us think in French, and that’s exactly what the class did.
I went on to major in French in undergrad and was the first student at the University of Alabama to participate in a semester-long exchange program with a French university. (There was another student who was supposed to join me for the adventure, but she went home when she discovered the dorm rooms didn’t offer private bathrooms.) After my semester in France, I decided to move to Germany to live with a few German friends I had made in France. I didn’t speak a word of German at the time.
By the time I left Germany five months later, my spoken German was nearly as good as my French. Of course, there were times when I wished I had learned a few basic grammar rules the old-fashioned way. I was forced to rely on my instincts when trying to conjugate a verb in a complex tense or pair the proper article with a masculine, feminine, or neuter noun. And I still couldn’t explain key differences in the four German cases—nominative, accusative, dative, and genitive—if my life depended on it. However, none of that stopped me from understanding and participating in lots of great conversations with my German friends or communicating with strangers at the grocery store or the pharmacy.
My experience learning German made me wonder (more than ever before) why student progress in learning a new language is still assessed through fill-in-the-blank tests and short essays. Before the days of YouTube, I could understand why an immersive approach to foreign language education was easier said than done. I can still recall how my class “oohed” and “aahed” years ago when one of my professors brought in a VHS tape with a few grainy episodes of Friends that she had recorded while in France. She clutched the precious black plastic cartridge tightly, hugging it to her chest as though she feared one of us might snatch it from her before she could insert it into the VCR. She told us that it cost over two hundred dollars to convert the tape to a North American video format, and we all shook our heads to express our disbelief and our gratitude.
Until recently, supplying students with a German episode of The Simpsons or a Japanese news broadcast required about as much planning and sacrifice as a cocaine smuggling operation. A devoted instructor might record a soap opera during a vacation abroad and carry the tape home like a priceless artifact from an archaeological dig. Once the tape was transported safely, the search would begin for the rare translator of foreign media formats—an elusive code breaker who could make the artifact accessible to the instructor’s students. Today, a wealth of foreign media is only a click away.
So, why isn’t everyone leveraging foreign-language media to create more immersive learning experiences? Some instructors might argue that, YouTube or no YouTube, good foreign language education isn’t primarily about learning enough to understand words and phrases used in popular entertainment and carry on an everyday conversation. The argument over what’s really important in language education (grammar, syntax, and spelling vs. general comprehension and diction) is nothing new. Yet, no matter which side you sympathize with, I think most instructors agree that video and audio can go a long way to promote thinking in a foreign language (as opposed to translation), reinforce key concepts, and burn words and phrases into long-term memory. This brings me to the critical, concluding question of my article, which I hope you will respond to by answering the survey below. (And feel free to provide further feedback by posting a comment.)
In my previous post, Criteria for Evaluating Social Bookmarking Tools, I talked about some of the key features and usability issues I take into consideration when evaluating web-based bookmarking tools. So, which site do I recommend to faculty? That all depends on their needs and level of tech-savvy.
At the moment, I recommend del.icio.us to novice faculty who I know will view web-based bookmark management as a big leap into the future. It has a pretty small feature set and the most frequently used options are right where you’d expect them to be.
For more adept users, I sometimes recommend furl, although I’m not in love with it either. Furl offers three big advantages over del.icio.us:
You can select multiple bookmarks at a time and perform major changes to all of them at once (change their tags, delete them, make them private or public, etc.) This makes managing a big batch of imported bookmarks MUCH easier.
You can rate bookmarks with a simple five-star system.
You can keep archived copies of the sites you bookmark, although I’ve found this feature always sounds better on paper. The first time you try accessing an archived version of a now defunct page with rich media content (Flash, video, or audio), the rich media will probably either be gone or it will be duplicated so that multiple copies of it are embedded on the same page.
Unfortunately, Furl doesn’t offer a groups feature, and neither does BlinkList or most of the other sites I’ve checked out. Keep in mind that I’m talking about groups you create and manage the way an instructor would want to, not “subscription” lists where you get to see every irrelevant link another member added recently or every new bookmark with a particular tag. I also don’t like that Furl doesn’t let you view your tags as a cloud or even as a simple list on the same screen where you view and manage your bookmarks. The Furl interface feels more like a traditional data-management tool than del.icio.us, with everything in neat little rows and columns. This might be comforting for technophobes, but it’s annoying for everyone else.
Recommended Tool for Feature-Hungry Technophiles: Diigo
Diigo has everything I’ve been looking for in a great social bookmarking/collaborative research tool—except ease of use. The tagging system is still buggy (renaming a tag or deleting it can lead to unexpected results), and the interface has some usability issues that I’ve already discussed with one of Diigo’s co-founders. For instance, tag clouds only display the first 18 characters or so of each tag, preferences on how to view your tags revert to default settings every time the page refreshes, etc. Unfortunately, Diigo is still too frustrating to use for me to recommend it to non-tech-savvy educators, but I hope its shortcomings will be resolved soon. If that happens, I’ll become a major Diigo evangelist. If not, I might have to embrace a more bare-bones bookmarking tool like Del.icio.us and search for a separate tool that just handles collaborative research well. Google Notebook is next on my list of tools to check out for that.